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1.
"The
orange dots on the wall reverberate with the art objects signifying
a concurrent performance as Handel's 'Messiah Oratorio' plays in the
background
.'The
Long and Short of Things' - Review on Mario D'souza's sculpture
installations show, Art India (The Arts news Magazine of India),
Quarter 4, Mumbai, 2001(Click for PDF)
2.
"So
long as the Green Hill remains, do not worry about the lack of fuel
"
'Garden City' - Review on Suresh Jayaram's show titled 'My
City', Art India, (The Arts news Magazine of India), Quarter 1,
Mumbai, 2002 (Click for
PDF)
3.
"She
paints on glass, a material whose essence is an absence, embodying
an immateriality
.''Non-Tangible Surfaces' - Review on Arati
Rao's glass paintings - Exhibition, 'Inside Outside'(The Design Magazine),
Issue 246, Dec. 2005 (Click
for PDF)
Magazines/Newspapers/Catalogues
& Reviews
4.
"The
show reveals various nuances of space, motion, mass and time through
a combination of conceptual, metaphorical and spiritual impulses."
Deccan Herald, Review, Aug22, 2005, Bangalore
http://www.deccanherald.com/deccanherald/aug222005/arts1944122005821.asp
(Click for PDF)
5.
"Realities
with their contemplations often cross lines, where it appears that
the one character, which maybe the artist himself takes over the qualities
and idiosyncrasies of several real individuals". Deccan
Herald, Review, July18, 2005, Bangalore.
http://www.deccanherald.com/deccanherald/Jul182005/arts2019422005717.asp
(Click for PDF)
6.
"Conceptually,
the show displays no preferences and no ideologies. It highlights
the need for a proper curatorial genre
," Deccan
Herald, Review, Jan 10, 2005, Bangalore
http://www.deccanherald.com/deccanherald/jan102005/ar1.asp (Click
for PDF)
7.
"It
is usually taken for granted that human appearances in paintings serve
as a direct approach in recording human experiences..."
Deccan Herald, Review, Aug 15, 2005, Bangalore http://www.deccanherald.com/deccanherald/aug152005/arts1644132005814.asp
(Click for PDF)
8.
"These
understandings helped his art gain a face-to-face insight resulting
in paintings that possessed the quality of pure experiences."
Deccan Herald, Review, Sep 5, 2005, Bangalore
http://www.deccanherald.com/deccanherald/sep52005/arts172248200594.asp
(Click for PDF)
9.
"Adoloscent
yet spiritual, fresh, a raw surface bristling with axe marks, a ruthless
yet refreshing quality
." Deccan Herald, Review,
Aug 16, 2004, Bangalore
http://www.deccanherald.com/deccanherald/aug162004/ar1.asp (Click
for PDF)
10.
"
Though
people knowingly or unknowingly succumb or acknowledge their cultural
tradition, art has attained an internationalism which unites subjects
or causes". Deccan Herald, Review, Aug 08, 2005, Bangalore
http://www.deccanherald.com/deccanherald/aug82005/arts15032200587.asp
(Click for PDF)
11.
"
Intrigued
by their innocence and straightforwardness, he creates interesting
parodies drawing their faces as he imagines them".
Deccan Herald, Review, Aug 29, 2005, Bangalore
http://www.deccanherald.com/deccanherald/Aug292005/arts655212005829.asp
(Click for PDF)
12.
"The
models appear to pose, uninhibited inside the artists' studio allowing
him to capture them naturally". Deccan Herald, Review,
March 20, 2006, Bangalore http://www.deccanherald.com/deccanherald/mar202006/arts1756322006319.asp
(Click for PDF)
13.
"As
art should provide fresh visual experiences, the artist his on his
mettle to remain at the "esteemed" position but yet arrange
for different approaches.." Vijay Times, Review, Jan 19,
2003, Bangalore (Review of 'Art Works' by S.G.Vasudev at the Sumukha
Gallery, Bangalore. (Click for
PDF)
Magazines/Newspapers/Catalogues
& Reviews
14.

The glitzy
coloring done in acrylics, illuminate the plasticity of the object as she depicts toys... Catalogue - Toying with Colours by Sudha Bhadani, Palette Art Gallery, Jodhpur, 2008 (Click for PDF)
15.
'His
simple human forms, seemingly starved yet content, signify happy hearts,
comfortable with a heaven and an earth, and though
.' Catalogue
- Exhibition of Sculptures by G. Reghu at the Hatworks Boulevard,
Crimson Art Resources. Bangalore May
2006 (Click
for PDF)
16.
'
A
transmission of a culture and a formation of a personal identity
..'
Catalogue - 'Exhibition of Paintings' by V.K. Dinesh at the Time
& Space Gallery, Bangalore, 21st to 23rd January 2002 (Click
for PDF)
17.
'Art
does not Imitate Life, Art Anticipates Life'. Catalogue - Exhibition
of Paintings by V.B. Venu at the Time & Space Gallery, Bangalore,
25th January - 2nd February 2002 (Click
for PDF)
18.
'
The
work, which creates an aura of solemnity, appears to have the sole
objective of reciting/relating to the tragedy he has gone through
'
Catalogue - Exhibition titled 'Requiem' - Installation by Mario
D'souza at the Alliance
Francaise, Bangalore, July 2000 (Click
for PDF)
19.
.
'
.Realizing that art cannot be divorced from its surroundings,
artists in and affiliated to Vadodara decided to make their voices
heard and contribute to the need of the hour through their show 'Voices
against Violence'.' Group show, Faculty of Fine Arts, Vadodara,
, Pub. - SaffronArt, Mumbai October 2002
http://www.saffronart.com/articles.asp?mainid=4§ionid=17&articleid=123
(Click for PDF)
20.
'
.The
world that inhabits his canvases is surreal, 'real'/super real, materialistic
/metaphysical and so on
', 'Art is Here, Now, Everywhere
and Forever' - Exhibition of "Digital Paintings" By Warren
Turner at the 'Design Store', Bangalore, Pub.- SaffronArt, Mumbai
2004
http://www.saffronart.com/articles.asp?mainid=4§ionid=17&articleid=231(Click
for PDF)
21.
'
forces
the viewer to shift focus from the singular figures in the foreground,
thus creating multiple vanishing points...' Review- 'Focus......Out
of Focus' - Exhibition of Paintings and sculptural Installations,
by Kiran Telkar at the Sakshi Art Gallery, Mumbai, Pub.- SaffronArt,
Mumbai, 2002
http://www.saffronart.com/articles.asp?mainid=4§ionid=17&articleid=121
(Click for PDF)
22.
'
art
balances well between the REALITY of the forms and the DREAMS attached
to it.' Show titled Review - "Articulation" - Show
titled -"Shhhh" - "Art Objects" by Kiran Subbaiah
at the Chitrakala Parishath, Bangalore, Pub.- SaffronArt, Mumbai
http://www.saffronart.com/articles.asp?mainid=4§ionid=17&articleid=137
(Click for PDF)
23.
'Images
appear in dreams
Emerging from nothingness - to perfection'
- Catalogue - Exhibition of 'Paintings on Glass' by Arati Rao at
the Cymroza Art Gallery, Mumbai, December, 2005
http://www.cymroza.com/arati/about.htm (Click
for PDF)
24.'
reflects a breakaway from the traditional idioms of high-art
practice and also concretes various conceptual realities.'- Review
on the Art at Rijksakademie, Amsterdam, "Art at the Rijks"
July 2003 (Click
for PDF)
25. "
The
works participate in understanding modern formed notions of womanhood
and capturing the tension between the new realities; discussing relationships
between the public and the private. " Article- "
'Social' Psychic" - Article on Champa's woodcuts, Bangalore,
2002 (Click for PDF)
26. "
His
works signify a complete new activity in terms of aesthetic practice."
"Pain & Pleasure in Creation" Review on K.P.
Reji's work at the Time & Space Gallery, Bangalore, March 2002
(Click for PDF)
27. "....A
stone carver, a wood carver, a metal embossing artisan and artisans
who work with terracotta, all grouped together in this space reinforcing
the cultural dialect." "A Corporate Encounter with
Art" Review on 'Sculpture Camp' organised by PSC (Phillips Software
Company), Bangalore 2000 (Click
here for PDF)
Art
Reviews/ Interviews
28.
"It
is Badami and its simplicity that inspires me. The tangawallas at
bus-stops, the golden morning skies, men with turbans and banana shops
at every corner
"
Interview of Artist JMS Mani, Bangalore 2004
http://www.saffronart.com/moreinfo.asp?moreid=1&ArtistId=165 (Click
here for PDF)
29.
'I
have always appreciated new medias as it goes with the changing times.
I have taken part in about 4 interactive shows, with other artists'
Interview of Artist T.M.Azis, Bangalore 2005
http://www.saffronart.com/moreinfo.asp?moreid=1&ArtistId=653 (Click
here for PDF)
30.
"You
are essentially a figurative artist but the ways the figures are placed
do not seem so simple and direct. Like your paintings reveal or hide
a story. Could you elaborate on your thought process while executing
your paintings?"
Interview of Artist Chandra Bhattacharyajee, Calcutta, 2003
http://www.saffronart.com/moreinfo.asp?moreid=1&ArtistId=220 (Click
here for PDF)
31.
"
Earlier,
my figures were jarring in an abstract background, but as I developed
my art, the figures appeared to 'fuse' into the background
"
Interview of Artist Yusuf Arrakal, Bangalore 2003
http://www.saffronart.com/moreinfo.asp?moreid=1&ArtistId=153 (Click
here for PDF)
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